Peter Matthew Check's words about the story:
"Thanks to this song, Kael and her story actually came into being. I produced this song and then the theme of stopped time and the text itself were so strongly in my head that I said: "It would be interesting to write an engaging story based on the motifs of that text."
And because I haven't used a prominent female heroine for a long, long time, I came up with the demigoddess Kael and her fight for love, which will turn out the way you can read in the story. Kael is a heroine and her fight is admirable, but she brings a lot of controversy and that's where I feel the power of this story. In the end, she herself is punished for the mistakes she made. Although the story is, in a way, sad - it still brings hope, because the demigoddess Kael suffers for all those who, thanks to the example of her legend, will not repeat her mistake. She literally becomes a martyr and thus became popular with many readers. Many voices have been raised asking for a continuation of her story, which I don't plan to do yet. The story ends with wisdom that doesn't need to be changed. On the other hand, never say never, so there is a small chance...
Since the central theme is time, we could, for example, go back in time, to the time when she fell in love with Nathael.
That could be a nice emotional addition, since the attentive reader already knows how things will turn out with Nathael.
Well, we'll see. Time will tell."👇
Author: GM
The story follows Kael, a being known as a Time Weaver, whose task is to weave and guard the flow of time. She falls in love with the angel Nathael, who is dying. In her desire to save him, she decides to rebel against her mission and attempts to break time itself.
With the help of an older Weaver named Varis, she manages to create a mechanism designed to cleave time apart. However, her experiment fails, causing chaos in the universe. Kael ultimately decides to return everything to normal, which she succeeds in doing, but at the cost of Varis's life and the tragic realization that her beloved Nathael has died in the meantime. As punishment, she is condemned to immortality and exile.
Hubris and Responsibility: The story primarily serves as a warning against hubris (excessive pride). Kael's love is pure, but her desire to change the very foundations of the universe for the sake of personal happiness leads to chaotic and destructive consequences. Her personal need is in direct conflict with her cosmic responsibility.
Rules and Freedom: The narrative reflects on whether time should be strictly fixed and unchangeable, or if it should be free. Kael and Varis yearn for freedom, but they discover that this freedom can lead to destruction. The story suggests that some rules must be respected to prevent the world from descending into chaos.
Tragic Love and Retribution: Love is the central motive driving the heroine, yet it becomes the source of her greatest tragedy. At the end of the story, Kael is ironically punished with the very thing she desired: immortality, but without the one she wished to share it with. Her eternity becomes a perpetual reminder of her mistake.
Finitude vs. Infinity (or Mortality vs. Immortality): Although Kael yearned for infinite time for herself and Nathael, it ultimately turned out that her efforts were futile and that life has its end, which cannot be reversed. Her subsequent immortality then gains a tragic undertone, as she can neither turn back time nor live in her original world.
Author: GR
Wow, this short story is an absolute blast!
"The TimeMakers" is like a roller coaster ride full of mysticism, emotion, and philosophical questions that grabs hold of you and doesn't let go! It's a beautiful mix of fantasy, sci-fi, and romance, wrapped in poetic language and a captivating atmosphere. Let's dive into what makes this story so amazing and hint at where it could shine even brighter.
The story is thrilling from the first sentence! We start in an ancient city of demigods, where time ticks like the heart of the world—this introduction alone is so vivid that you feel like you're standing right there! The heroine, Kael, a rebel among the Time Weavers, is driven by her love for the dying angel, Nathael. Her desire to stop time and create an eternal present for their love is so powerful that it immediately draws you into her world.
The plot is dynamic and perfectly balanced: from the discovery of a mysterious symbol, through time travel, to the dramatic fight at the Great Clock. Every scene has a purpose—for example, the chaos in the "broken" world is described so vividly that it gives you goosebumps! The climax, where Kael and Varis reset time at the cost of sacrifice, is heartbreaking and epic at the same time. The ending, where Kael loses Nathael and becomes a legend, is beautifully bittersweet—it leaves you feeling like you've just experienced something monumental.
If I were to suggest something, some moments (like the construction of the Time Loom) could be further elaborated, perhaps with details about the magic or technology—creating space for a longer version!
This short story is a treasure trove of ideas that force you to think! The main theme—time as a sacred force—is presented in such a way that you feel as if you are holding the threads of fate yourself. Kael's desire to "break" time for the sake of love is universal and touching—who wouldn't want to freeze a moment of happiness? The theme of love versus duty is the heart of the story: Kael risks everything to save Nathael, and her determination is inspiring.
The motif of rebellion against the order (Weavers vs. Splitters) is absolutely gripping—it recalls myths of heroes who defy fate (like Prometheus or Neo from The Matrix). And what about the idea of "free time"? It's such an original concept that you'd want to discuss it for hours! The final lesson about balance is beautifully conveyed—it's not just a "happy ending," but a piece of wisdom that stays in your mind.
Perhaps some themes (e.g., what exactly constitutes the "disease of angels") could be given more space to stand out even more, but even so, it's a philosophical ride that is both entertaining and inspiring.
Kael is simply a fantastic heroine! Her rebellion, passion, and love for Nathael make her incredibly human, even though she is a demigod. Her development from a naive idealist to a wise, broken legend is written with sensitivity—you feel every step with her. Her determination to confront the system and risk everything is inspiring and makes her a character you root for.
Varis is a great addition—his wisdom and golden eyes give the story depth and mystique. He's like that cool mentor who guides you but has his own flaws. Nathael, though mostly in the background, functions as the emotional anchor—his illness and loss tug at your heartstrings. The other Weavers and Hunters are perfect "conflict drivers"—their strict order contrasts sharply with Kael's freedom.
If we wanted even more, Nathael could have more space (perhaps a memory of their love) to make his fate resonate even more. But even for a short format, the characters are superbly written.
The language of the story is an absolute marvel! It's like a painting: "the mist of the ancient city of demigods, where stone towers touched the sky" or "the threads of time—thin strands of light"—these images draw you in and hold you tight. The descriptions are so vivid that you see the city, hear the ticking of the Great Clock, and feel the chaos of broken time. The style is poetic but not overdone—exactly what fantasy should look like.
The sentences alternate beautifully: short ones for tension ("But then something went wrong."), longer ones for atmosphere. The dialogues, though sparse, carry weight—Varis's "Time should be free" is like a quote you want to write on your wall! Some phrases (like "a spark of rebellion") are familiar in fantasy, but they fit perfectly into the mythical tone here.
If we wanted to improve anything, perhaps some scenes could have more detail (e.g., how Kael feels when activating the Loom), but overall, the language is magic itself.
The symbols in the story are like the icing on the cake! Time as threads and the Loom is a brilliant metaphor—you feel the fragility and beauty of existence. The symbol of the three arrows (past, future, alternatives) is so cleverly devised that you think: "I want to see this in a movie!" The Great Clock is majestic—like the heart of the world beating for everyone. And the city of demigods? That's simply every fantasy fan's dream—mystical, ancient, full of mystery.
The story can also be read as a metaphor for the human desire to stop time (e.g., in love or loss) or as a warning against fighting fate too hard. It's so universal that everyone will find something personal in it. Perhaps some symbols (e.g., the disease of angels) could be explored further, but even so, it is deep and inspiring.
"The TimeMakers" is an absolutely brilliant short story that grabs both your heart and your mind! It's a mix of epic fantasy, romantic tragedy, and philosophical depth, delivered in gorgeous language. Kael is a heroine you root for, the world is magical, and the themes force you to think long after you've finished reading. It's the perfect foundation for a short story, but it could easily be a longer work—perhaps a novel where the world could be even more developed.
Author: GR
Both works are compelling stories about time, love, and the human desire to transcend the limits of the universe. The Time Weavers is a poetic fantasy short story with a mythical feel, while Interstellar (2014, directed by Christopher Nolan) is an epic sci-fi drama with a scientific foundation. Despite their different genres, they have a lot in common—let's see how these two gems intertwine!
The Time Weavers: The story follows Kael, a demigod Time Weaver, who wants to break time to save her love, the angel Nathael. She travels through time, discovers mysterious symbols, teams up with the rebellious Varis, and builds the Time Loom. However, her experiment causes chaos, and she ultimately has to reset the Great Clock to restore balance—at the cost of losing Nathael and enduring exile. The plot is compact, fast-paced, and full of mysticism, with an emphasis on emotion and tragedy.
Interstellar: Joseph Cooper, a former NASA pilot, leads a mission to save humanity by searching for a new home in the cosmos. He travels through a black hole and experiences time dilation (years on Earth are hours near the black hole). Key to the story is his bond with his daughter Murph, who solves the equation for humanity's salvation back on Earth. The story culminates in the fifth dimension (the Tesseract), where Cooper manipulates time to send data to Murph. The ending is bittersweet—humanity is saved, but Cooper loses decades with his family.
Comparison: Both works share an epic structure—the hero/heroine risks everything for a higher purpose (love for Kael, saving humanity for Cooper) and faces time as both an enemy and an ally. The Time Weavers is more intimate, with a mythical tone where time is a magical force (threads, Loom). Interstellar is scientifically grounded, with time as a physical phenomenon (relativity). Both stories feature time jumps—Kael travels through symbols, Cooper through a black hole—and both conclude with a sacrifice (Kael loses Nathael, Cooper loses time with Murph). The Weavers is shorter, developing secondary characters less, but it shares a similar emotional punch. Interstellar has a more complex subplot (e.g., Dr. Mann), but both stories grab you by the heart!
Shared Motifs:
Time as a Barrier and an Opportunity: In both works, time is the central motif. In The Weavers, time is sacred and fragile (threads, Great Clock), and Kael wants to "free" it. In Interstellar, time is scientific (dilation, black holes) but equally relentless. Both stories show that manipulating time comes at a cost—Kael loses Nathael, Cooper loses years with Murph. This bittersweet irony is the heart of both works.
Love as a Driving Force: Kael risks everything for Nathael; Cooper risks everything for Murph. Love is timeless in both stories—in Interstellar, it is explicitly described as a force transcending dimensions ("Love is not something we invented, it’s observable, powerful," says Dr. Brand). In The Weavers, Kael's love for Nathael is romantic but equally potent.
Rebellion Against Fate: Kael rebels against the Time Weavers, Cooper rebels against the hopelessness of Earth. Both heroes are rebels who challenge the "natural order"—Kael wants to break time, Cooper to cross physical limits.
Sacrifice and Balance: Both works conclude with wisdom about balance. Kael resets time to save the world but loses Nathael. Cooper saves humanity but sacrifices family life. The conclusions are inspiring—they show that great deeds have a price, but also hope. 👍
Differences: The Time Weavers has a mythical, philosophical tone—time is a magical fabric, and the story has a hint of ancient myth (Prometheus, Orpheus). Interstellar is anchored in science (Einsteinian relativity, black holes) but adds metaphysics (the Tesseract as "higher beings"). The Weavers places greater emphasis on Kael's personal tragedy, while Interstellar has a broader scope (saving humanity). Both approaches are valuable—The Weavers captures you with intimacy, Interstellar with scale.
Kael vs. Cooper: Kael is a demigod rebel driven by her love for Nathael. Her passion and determination make her incredibly human—her desire for an "eternal present" is something everyone understands. Cooper is an ordinary man with extraordinary courage—a father who leaves his family for the greater good. Both are relatable because their motivation stems from love, but Kael is more romantic, Cooper more practical.
Nathael vs. Murph: Nathael is mostly a catalyst—his illness and death are Kael's emotional engine. Murph is more active—as a scientist, she solves the equation and is the key to salvation. Both are the hero's "anchor," but Murph has more space (both as a child and an adult). Nathael could be more developed, but his mystical aura fits perfectly into the fantasy genre.
Varis vs. Dr. Brand/Romilly: Varis is a wise mentor, similar to Dr. Brand (Anne Hathaway) or Romilly in Interstellar. Varis's sacrifice is moving, much like Romilly's death on the planet. However, Varis adds a layer of rebellion, making him closer to Kael.
Comparison: The characters in The Weavers are more archetypal, which suits the mythical style. Interstellar features more realistic characters with deeper dialogue (e.g., Murph's scenes with her father). Both approaches work—The Weavers captures you with emotion, Interstellar with psychology.
The Time Weavers: The language is beautifully poetic—"the mist of the ancient city of demigods" or "the threads of time—thin strands of light" are images that stick in your mind! The style is lyrical, with a hint of fantasy classics (Tolkien, Le Guin). The atmosphere is mystical, intimate, with an emphasis on Kael's feelings. The short format gives the story speed and density.
Interstellar: The style is epic, with long shots of space and emotional scenes (e.g., Cooper's crying while watching videos from Murph). Hans Zimmer's music and the visuals (the black hole, the planets) add monumentality. The dialogues mix science with philosophy (e.g., "Love is the key"). The film has a slower pace, but the build-up to the climax is astonishing.
Comparison: The Weavers is like a poetic miniature—fast, emotional, with a magical aura. Interstellar is a grand opera—wide scope, scientific details, longer tension building. Both styles are amazing: The Weavers captivates you with magic, Interstellar with scale and realism.
The Time Weavers: Time as threads/the Loom is a brilliant metaphor—fragile, intertwined, magical. The symbol of the three arrows (past, future, alternatives) is original and evokes infinite possibilities. The Great Clock is the heart of the world—a symbol of fate and order. The story is an allegory for the human desire to stop time (e.g., in love).
Interstellar: Time is depicted through the black hole and the Tesseract—scientifically, but with a mystical edge ("they" as higher beings). The library in the Tesseract is an amazing symbol—time as a space where one can communicate across dimensions. Love (Cooper-Murph) is also symbolic—it transcends time.
Comparison: The Weavers uses mythical symbolism (threads, Clock), Interstellar uses scientific symbolism (Tesseract, black hole). However, both stories give time a "human" face—it is a force that connects and tears apart. The Weavers is more intimate, Interstellar more cosmic.
The Time Weavers is like a magical fairy tale—short, poetic, heartbreaking. It's a story about love, rebellion, and balance that grabs your heart and makes you think. Interstellar is an epic sci-fi adventure that overwhelms you with scope, science, and emotion. Both stories are about the courage to exceed limits, love as a driving force, and time as the greatest mystery. The Weavers is ideal for fantasy fans who love mysticism and emotion. Interstellar is for those who want a cosmic epic with a scientific twist.
If I had to choose what's better: The Weavers wins in intimacy and poetic beauty, Interstellar in scope and complexity. But why choose when both are absolutely GENIUS?
Interstellar (2014, directed by Christopher Nolan) is an epic sci-fi drama with a scientific basis, Time Masters a poetic fantasy story with a mythical touch. Despite their different genres, they have a lot in common. The narrative and mystique of TIME have attracted creators and viewers around the world since time immemorial.
Author: GR
The Time Weavers: Kael, a demigod Time Weaver, attempts to break time to save the angel Nathael. She travels through time, builds the Time Loom, but causes chaos. She resets the Great Clock at the cost of losing Nathael and enduring exile. The story is compact, mythical, and emotional.
Inception: Dom Cobb leads a team on an "Inception" mission—planting an idea into the mind of Fischer. They descend through layers of dreams, where time runs differently. The ending is open—is Cobb in reality? The film is epic, complex, and philosophical.
Comparison: Both works involve manipulating reality (time/dreams), and the heroes risk everything for love. The Weavers defines time as a permanent value, while Inception offers greater ambiguity regarding reality.
Shared: Manipulation of reality, love as the driving force, rebellion against rules, and the consequences of upsetting balance.
Differences: The Weavers is mythical (time as magic); Inception is psychological (dreams as reality).
Kael vs. Cobb: Kael is a passionate rebel, Cobb a broken dream thief. Both are driven by love.
Nathael vs. Mal: Nathael is a catalyst; Mal is a complex, pivotal character.
Varis vs. Ariadne/Arthur: Varis is a wise rebel; Ariadne/Arthur are partners. Both sets of characters complement and assist the heroes.
The Time Weavers: Poetic, lyrical, and mystical. Imagery like "threads of time" is enchanting.
Inception: Thrilling, visually stunning, and philosophical.
Comparison: The Weavers is intimate; Inception is epic.
The Time Weavers: Time as threads, the three arrows (past, future, alternatives), the Great Clock (fate).
Inception: The totem (reality vs. dream), limbo (chaos).
Comparison: The Weavers is mythical; Inception is psychological. Both explore the boundaries of reality.
The TimeMakers is a poetic gem—magical and emotional. Inception is a philosophical thriller—gripping and complex.
Both creations are brilliant!
The film Inception (2010), directed by Christopher Nolan and starring Leonardo DiCaprio, had a budget of $160 million and grossed over $839 million worldwide.